The design approach takes inspiration from the property’s collection of historic buildings and site features – most notably the predominant material palette of stone and timber. ![]() The site is characterized by a rolling landscape of woods, open fields, and formal plantings. The property operates as a historic interpretive site on the remaining William Croghan estate that consists of a Georgian mansion and outbuildings built by enslaved African Americans, emphasizing the legacy of George Rogers Clark – Revolutionary War Hero and the founder of Louisville – who lived at the property. A close-up detail of the perforated panels (MEDULLA studio)īeyond the facade, the architect explained that the interior spaces were purposefully designed in a minimal scheme to “recreate the feeling of being in a carded wool space (in view of neuropsychiatric disorders).” A base light gray color is paired with a color scheme of greens, blues, and oranges that covers furniture and architectural detailing to delineate the facility’s services.OVERVIEW: The project is a new multi-use, open air pavilion located on the grounds of Locust Grove, a 55-acre 18th-century farm site and National Historic Landmark in Louisville, Kentucky. Openings in the metal panels filter daylight while ventilating the thermal envelope beyond the screen. Like a full tree canopy, the facade’s perforated screens are perceived as porous from up close, but massive and opaque from afar. The facade coloration results from a study of leaf shades in different seasons. Openings on the main elevation connect users of the existing structure to the addition. The extension to the existing orphanage was sensitively planned to protect the formal massing of the original plan, while additions to the complex are articulated through more contemporary expressions of shape and material. The perforated screens are perceived as porous from up close, but massive and opaque from afar. Drawings from younger patients were edited, scaled, and applied to the ground floor glazing system, while Italian artist Mercurio- S17S71 created Shamans, a contemporary work that features portraits of Casa Verde’s patients. Lightweight paneling on the facade helped minimize dead loads on the foundation to maintain the slope stability.Īrt by and about the patients has shaped the facility. Hillside maintenance efforts were supported by reusing existing foundations from vicoli carbonai, or charcoal alleys, which were developed in the Middle Ages as an extension of San Miniato’s defensive system.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |